Writing
Books
Music in Range: The Culture of Canadian Campus Radio. Wilfrid Laurier University Press, 2015.
Reviews: Canadian Journal of Communication; TOPIA: Canadian Journal of Cultural Studies; CAML Review / Revue de l’ACBM; Literary Review of Canada
Chapters in Books and Edited Collections
“The Edufication and Musicalization of Radio: CKUA, ‘Good Music,’ and ‘Uplifting Taste.” Music Radio: Building Communities, Mediating Genres. Eds. Morten Michelsen, Mads Krogh, Steen Kaargaard Nielsen, and Iben Have. London: Bloomsbury Academic, 2018: 120 – 144.
“Making Do in ‘Weird’ Vancouver: DIY, Underground Venues, and Documenting a Scene.” The Punk Reader: Research Transmissions from the Local to the Global. Eds. Mike Dines, Alastair Gordon, and Paula Guerra. Porto: Universidade do Porto, 2017: 209 – 228.
Refereed Articles
“When the Dial Goes Dylan: ‘Premium’ Radio, Hybrid Authenticity and Theme Time Radio Hour.” Popular Music 39.3-4 (2020): 652 - 658.
“Beyond the Branch Plant: Capitol-EMI’s First Canadian Record Press and National Music Industries in the 1970s.” Co-authored with Richard Sutherland and Gregory Taylor. Cultural Studies. (Published online, forthcoming in print)
“(Residual) Public Music Radio in the Streaming Era: Listening for Diversity and Frequency on CBC Music.” Journal of Radio & Audio Media 27.1 (2020): 8 - 24.
“Introduction: Music in the Public Service: Public Radio and Music in the Streaming Era.” Co-authored with Christopher Cwynar. Journal of Radio & Audio Media 27.1 (2020): 4 - 7.
"The Radio Host and Piloted Listening in the Digital Age: CBC Radio 3 and Its Online Listening Community." Journal of Canadian Studies 51.1 (2017): 338 - 361.
"'Songs You Need to Hear': Public Radio Partnerships and the Mobility of National Music." Radio Journal: International Studies in Broadcast and Audio Media 15.1 (2017): 47 - 63.
"Satellite Footprint to Cultural Lifelines: Sirius XM and the Circulation of Canadian Content." International Journal of Cultural Policy 22.3 (2016): 313 - 330.
"Blogging Satellite Radio: Podcasting Aesthetics and Sirius XMU's Blog Radio." Journal of Radio & Audio Media 22.2 (2015): 200 - 208.
"Reflections of the Cosmopolitan City: Mapping Arcade Fire's Reflektor and its Intermedia Promotional Campaign." Journal of Popular Music Studies 21.7 (March 2015): 48 - 68.
"Campus Frequencies: 'Alternativeness' and Canadian Campus Radio." Interactions: Studies in Communication and Culture 6.1 (March 2015): 29 - 46.
"Beyond Campus Borders: Canadian Campus Radio and Community Representation on the FM Dial." Radio Journal: International Studies in Broadcast & Audio Media 11.2 (2013): 137 - 153.
"The Cultural Capital Project: Radical Monetization of the Music Industry." Co-authored with Ian Dahlman and Andrew deWaard. IASPM@Journal 3.1 (2012): 35 - 47.
"'New Noise' versus the Old Sound: Manifestos and The Shape of Punk to Come." Popular Music and Society 35.4 (October 2012): 465 - 482.
"Television, Live 'Transmission:' Control and the Televised Performance Scene." Cinephile 5.2 (Summer 2009): 24 - 29
"The Development of Community Radio in Quebec: The Rise of Community Broadcasting in Late 1960s and Early 1970s Canada." Canadian Journal of Media Studies 3.1 (2008): 131 - 151
Public Policy and Government Relations
“Putting Users and Small-Scale Creators First in Canadian Copyright Law and Beyond.” Co-authored with Brianne Selman and Andrew deWaard. Brief Submitted to the Standing Committee on Canadian Heritage Remuneration Models for Artists and Creative Industries. December 10, 2018.
“Putting Users and Small-Scale Creators First in Canadian Copyright Law and Beyond.” Co-authored with Brianne Selman and Andrew deWaard. Brief Submitted to the INDU Statutory Review of the Copyright Act. December 10, 2018.
Reviews
"Book review of 'Top 40 Democracy: The Rival Mainstreams of American Music' by Eric Weisbard." Popular Music 35.1 (2016): 153 - 155
"Book review of 'Legions of Boom: Filipino American Mobile DJ Crews in the San Francisco Bay Area' by Oliver Wang." IASPM@Journal 5.2 (2015): 79 - 81.
"Book review of 'Points on the Dial: Golden Age Radio beyond the Networks' by Alexander Russo." Enterprise & Society 14.1 (2013): 226 - 228.
"Book review of 'Fresh at Twenty: An Oral History of Mint Records' by Kaitlin Fontana." IASPM@Journal 3.1 (2012): 95 - 96.
"Book review of 'Fortune's Fool: Edgar Bronfman Jr., Warner Music, and an Industry in Crisis' by Fred Goodman." Media, Culture & Society 34.1 (2012): 124 - 126.
"Book review of 'Democratic Communications: Formations, Projects, Possibilities' by James Hamilton." The Canadian Journal of Communication 36.2 (2011): 346 - 348.
Online Contributions (Select)
"A Tale of Two Catalogues: The Celestial Jukebox and Campus Radio Library.” Flow Journal 26.08 (June 1, 2020).
"Manufacturing Consent in the Digital Music Industries.” Flow Journal 26.06 (April 6, 2020).
"Advocating on Behalf of Independent Musicians: Copyright Reform and Corporate Consolidation.” Flow Journal 26.03 (November 28, 2019).
"Thinking Through Radio History: An Interview with John Durham Peters." Radio Survivor Part 1 (6 March 2015); Part 2 (March 13, 2015).
"Today's Rich Audio Environment: An Interview with Michele Hilmes." Radio Survivor February 4, 2015.
"On Radio: Live Music Festivals as Satellite Radio's Premium Content?" Antenna Blog 10 June 2014.
"Radio Matters: A Renaissance in Radio Scholarship." Radio Survivor 14 May 2014.
"The Cosmopolitan City and the Carnivalesque in Arcade Fire's Reflektor Campaign." Antenna Blog 1 November 2013.
"On Radio: FM Campus Radio and Community Representation." Antenna Blog 18 January 2013.